Sweet music to your ears. LP’s, EP’s and everything in between this is the place you will find out about the latest music and maybe even some oldies but goodies.
8.0/10 dropps
Secretly Canadian; 2011
Philadelphia has produced a number of successful indie/alternative rock bands (think Dr. Dog and Free Energy) and among them is Adam Granduciel’s The War on Drugs, which has been releasing notable experimental-folk rock albums since Wagonwheel Blues dropped in 2008. Like their previous albums, Slave Ambient stays true to the ambient, pseudo-psychedelic sound that characterizes the band. The tracks move in and out of dreamy, far-away intros infused with Granduciel’s Bob Dylan-esque vocals, and more upbeat tempos reminiscent of early Springsteen. Those may be two big names to be compared to, but The War on Drugs successfully combines elements of both, adding to that already stellar mix a distinctly modern sound with waves of saxophone and shimmering synth.
The effect is compelling. Their music is rich and layered, occasionally drifting into the realm of cloudy, dense guitar riffs, but Granduciel brings a warmth and soulfulness to the band which keeps it from becoming the monotonous kitsch that frequently emerges on the dreamy alt scene. The movement of this album is seamless – it includes three hypnotic transitional tracks that pull the listener even further into ambient bliss. Slave Ambient is something you want to have flowing out of your speakers on a long drive or at the end of the night.
Ultimately, The War on Drugs’ comforting and steady sound maintains a mellow vibe while somehow never becoming stale or repetitive. Opening with “Best Night,” the band seems to recall their earlier music by continuing the swirling, folkish melodies reminiscent of their first EPs. As you progress deeper into the album, it transitions to a more experimental sound with transfixing synth and less of a focus on Granduciel’s vocals. The outcome is refreshing; The War on Drugs blends a retrospective vibe with one that is modern and radiant. The album closes with one of my personal favorites, a track called “Blackwater”, in which Granduciel croons over a strumming guitar and sparkly percussions.
The listener is drawn into the dreamy world that Granduciel seeks to create and guided through a story even Dylan himself would admire. For those wary of the lo-fi, far-away sound, I highly encourage you to still give this band a try. Their spin on a popular trend is far from a disappointment.
-Anna Kimura
Mon Sep 5