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go left young man
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    Occupants by Henry Rollins

    Mon Apr 16

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    Everything Matters! by Ron Currie Jr.

    Mon Aug 8

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    Too Long a Solitude by James Ragan

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    Mon Jul 25

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    Squirrel Seeks Chipmunk: A Modest Bestiary By David Sedaris

    Wed Jun 29

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    Eeeee Eee Eeee by Tao Lin

    Mon Jun 27

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    Sam Lipsyte's "The Ask"

    Thu Jun 2

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    The Big Short by Michael Lewis

    Mon May 16

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    Jennifer Egan:A Visit From The Goon Squad

    Mon May 9

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    The Pale King by David Foster Wallace

    Wed Apr 27

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    The Imperfectionists by Tom Rachman

    Wed Apr 20

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    An Object of Beauty by Steve Martin

    Wed Apr 20

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    The Lost City of Z by David Grann

    Thu Mar 31

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    ¡Satiristas! By Paul Provensa and Dan Dion

    Tue Mar 29

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    The Brief and Frightening Reign of Phil by George Saunders

    Tue Mar 29

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    End Game by Frank Brady

    Thu Mar 24

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    Wed Mar 23

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    Sun Mar 20

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    A Discovery of Witches by Deborah Harkness

    Wed Mar 9

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    Pillars of The Earth by Ken Follet

    Fri Mar 4

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    American Gods by Neil Gaiman

    Tue Mar 1

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    A Game of Thrones by George R. R. Martin

    Wed Feb 23

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    Skippy Dies By Paul Murray

    Wed Feb 23

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    The Facebook Effect by David Kirkpatrick

    Sat Feb 12

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    Griftopia by Matt Taibbi

    Tue Feb 8

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    Lush Life by Richard Price

    Mon Feb 7

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    The Financial Lives of the Poets by Jess Walter

    Sun Jan 30

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    WAR by Sebastian Junger

    Fri Jan 28

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    The Sunset Limited by Cormac McCarthy

    Mon Jan 24

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    Then We Came to the End by Joshua Ferris

    Tue Jan 18

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    Medium Raw by Anthony Bourdain

    Sat Jan 8

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    You Shall Know Our Velocity by Dave Eggers

    Sat Jan 8

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    The Brief Wondrous Life of Oscar Wao by Junot Diaz

    Mon Dec 13

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    Sin in the Second City: Madams, Ministers, Playboys and the Battle for America’s Soul by Karen Abbott

    Mon Dec 13

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    The Angel’s Game by Carlos Ruiz Zafon

    Fri Dec 3

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    Never Let Me Go by Kazuo Ishiguro

    Wed Nov 24

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    Blood Meridian or the Evening Redness in the West by Cormac McCarthy

    Mon Nov 22

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    The History of Love by Nicole Krauss

    Mon Nov 22

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    The Best American Erotic Poems: From 1800 to the Present Edited by David Lehman; Scribner Poetry

    Wed Nov 3

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    Him Her Him Again the End of Him by Patricia Marx

    Mon Nov 1

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    A Home At The End Of The World by Michael Cunningham

    Fri Oct 15

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    Eating Animals by Jonathan Safran Foer

    Thu Sep 30

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    One Bloody Thing After Another by Joey Comeau

    Thu Sep 23

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    Tweak by Nic Sheff

    Wed Sep 22

don't go left young man

Skippy Dies By Paul Murray

Tags: ,


9.3/10 dropps

While competing in a donut-eating contest with his obese, hyper-intelligent roommate Ruprecht, Skippy dies. The novel subsequently reverts back in time to the beginning of the fall semester at the Seabrook College for Boys, a fictional Irish boarding and day school. Author Paul Murray then slowly introduces us to a slew of extraordinary principal and supporting characters.

For the novel’s first two thirds, the central plotline revolves around Skippy and his quest to win the heart of the girl he loves, Lori. Lori attends the all-girls school next door and plays frisbee on its front lawn. When she gets out of school she runs around with Carl, a drug-dealing, borderline-psychopathic bully (and Skippy’s main rival for her affections). Skippy’s primary group of friends mostly includes fellow boarders: the aforementioned Ruprecht, the sarcastic Dennis, the sincere Geoff, and the foolish Mario. Also central to the storyline is Howard, a history teacher at Seabrook, who is something like an adult version of Skippy. Howard has problems of his own: he has an American girlfriend he no longer cares for, a new substitute teacher he’s fallen hopelessly in love with, and still he must contend with the constant pestering of the cold acting principal, “the Automator.”

There is a plethora of characters with whom to become entangled in the novel, but Murray never shies away from providing us with a very good glimpse into each of the character’s minds. Even with the ominous prologue forecasting Skippy’s doom, Murray never fails to forget that the majority of his characters are fourteen year-olds and hence there is a lot of drama and humor to be mined from the story.

In fact, the novel is often so hilarious that if the last third of the novel had continued in the same tone as the previous two, I would likely have felt inclined to give Skippy Dies a higher rating than any other novel I’ve reviewed.

Skippy Dies is split up into three sections, each as long as a 220-page novel. While the first two lead up to Skippy’s death, the final section is often unbearably dark because it covers the timeframe between Skippy’s death and the end of the term. His passing leaves many characters irrevocably changed and, in some cases, broken. How the school collectively comes to terms with Skippy’s death and the circumstances that caused it is thrilling, and what follows is even more so.

Skippy Dies is one of those books that’s so good, readers will have trouble putting it down, even at its daunting length. Paul Murray applies cliffhangers shamelessly, but the craftsmanship is such that you’ll find that as long as you’ve got some free time, you won’t care.

-John Jamieson

Wed Feb 23

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